On the train home from college, today, I finished A Study In Scarlet, the first of the Sherlock Holmes stories by Sir Arthur Conan Doyle. The book reads like 'one of those old books', but I loved it all the same.
The narrative is from Watson's point of view, following him home from Afghanistan, through the adventure of finding a roommate, Mr. Sherlock Holmes, learning about what sort of person he is, and then watching him solve a mystery. Part II takes on a strikingly different tone, as it is told from an omniscient third-person point of view. This is the story of victims of the Mormon community, of the murderers, turned victims themselves in London, and of the vengeful man Holmes arrests in his own apartment. After that tale, Watson's narrative resumes and the case is brought to a close.
I really liked this book. It is not necessarily a book you can analyse AP-English style, like A Brave New World was; or perhaps it is, but the reader does not feel the distinct need to do so. The part in the desert reads like a historical fan-fic, bringing in familiar characters like the Salt Lake Mormons, and, more specifically, an appearance by Brigham Young, but that does not mean it is bad. It reads not only well but beautifully, with vivid descriptions and a captivating storyline. Furthermore, as the first of the Holmes stories, the reader needs no background knowledge to understand the characters; Doyle introduces them for the first time here. This book is a wonderful read and I would highly recommend it. It's a great place to start for any aspiring Sherlock Holmes fan [like me], or for anybody looking for a fun story into which one can escape.
On a side note: I'd known that the character, House, was loosely based on Holmes, and after reading the first descriptions of him, I could definitely see it, right down to being a wonderful musician. You'll have to read it and see for yourself!
Fringe - Season 2, Episode 8: "August". Original Air Date: 19 November, 2009.
Michael Cerveris is back! He, and a bunch of other Observers have been sighted all over the place. So one of the Observers, August, who is not Michael Cerveris, kidnaps a girl to save her from a crashing plane. The other Observers are mad that he interfered, because she was supposed to die on that plane.
Meanwhile, the Team is trying to find him because, for all they know, he's kidnapped her.In the end, August realises what he has to do. The other Observers have hired an assassin to kill the girl, because she is not supposed to be alive, and they can't understand why he saved her [if you want to know, it's because he watched her grow up after her parents died, and he feels an emotional connexion to her, almost as a father figure] because she is, seemingly, unimportant. He risks his life for that girl and makes her important, by being implicated in the death of one of Them. And now she gets to live.
There was a lot of hype for this episode, and I don't really feel like it lived up to it. Don't get me wrong, it was a fun, intriguing episode... but it just wasn't that great. It wasn't very good compared to other episodes, and it didn't live up to the anticipatory advertisements and the real-life Observers planted around the country in cities like New York, Boston, and Chicago. For something that was expected to be so big, it felt fairly insignificant.
If you would like to see a sample of my notes on this episode: MICHAEL CERVERIS IS A BAMF Olivia is the most amazing woman evar and she's scared of roller coasters *love* Too many Michael Cerverises. They are not all Michael Cerveris. I have to go out. I would prefer not to gag you. WHY IS MICHAEL CERVERIS NOT IMPORTANT IN THIS EPISODE?!
Fringe - Season 2, Episode 7: "Of Human Action". Original Air Date: 12 Nov 09.
The episode opens with cops pulling in to save a kidnap victim, but one walks himself off a roof and one shoots all the other cops and then herself. When the team arrives, Walter guesses hypnosis, but Peter says it can't be that because hypnosis won't make you do anything you wouldn't do yourself. After more thought, Walter considers mind control as a completely viable option. Studying the body of a corpse, Walter tries to figure out a way to combat the mind control, and they stage a way to get the kid back. Except it turns out the kid, Tyler, is really the kidnapper, and he kidnaps Peter! Walter has trouble letting go of Peter, and he can't work without him. Meanwhile, Peter is trying desperately to fight Tyler's control, but can't. Eventually, he brings him to a strip club. He keeps trying to dissuade Tyler, but the kid is set in his course. He tells Peter that his father has lied to him all of his life, telling him that his mother was dead when in fact she was alive and well in Maryland, and that's why he's doing this. Walter figures out another way to block the mind control, with an EMT like in The Matrix I guess, and so they use it on the kid. Peter purposefully crashes his father's car in Tyler's moments of disempowerment. They wean the kid off of the drugs he'd been on and his powers go away. In the end, Walter and Peter share a sweet scene: Walter makes Peter crêpes and talks to him about when he was little and his mother. But then, we see Nina writing an email to Mr. Bell, of all people. She says that "one of the Tylers" showed mind control ability but that it had unintended consequences, and he went looking for his "surrogate mother" and so she is discontinuing the research completely, and there's a shot of Tyler's father wheeling Tyler into a room filled with Tylers!
This episode leaves a lot more questions than answers: surrogate mother? ONE of the Tylers? WHAT?! And what IS Nina up to? What are they planning?! Aaaah! I liked it! But I was also incredibly worried when I watched this episode. The bonds the watcher has 'created' with the characters are really put to the test watching this, which is somewhat embarrassing to admit.... :D
Glee - Season 1, Episode 9: "Wheels". Original Air Date: 11 November, 2009.
This one's just summary, sorry.
This episode's primary focus is Arty, which is awesome, because he has yet to have his own episode or song. The problem is, the school won't front the money to get the Glee Club a wheelchair accessible bus to sectionals, so the club needs to fundraise in order to afford it. Arty gets his own solo, and we learn that he likes Tina. When Will suggests that everybody does a bakesale, the kids are less-than-enthusiastic; disappointed with their decision, he makes them all spend three hours a day in a wheel chair, and they have to prepare a wheel chair number. At first, it's not very easy for them at all. The club really pulls together for Arty, and they raise the money necessary to get the wheelchair accessible bus, but he tells them that he'd rather the money go to installing a ramp in the auditiorium. When they go to tell the principal this, everyone is shocked to discover that Sue has already donated enough money for multiple ramps to be installed throughout the school.
At the same time, Quinn continues to press Finn for financial support. Finn is trying, but no jobs are hiring, and in the meantime, Puck keeps trying to move in on Quinn. He says that people say he's a screw-up because he doens't care for school, but he would never desert his family. We can see that the sparks between the two of them aren't completely gone, but Quinn remains adament that she doesn't need him. I feel bad for Finn, because he's doing what he can. I mean, this is a difficult situation for both of them, but I can't imagine any of my male friends from high school really being able to do so much to help, especially if no place will give him a job. And I still think that Quinn is being a total jerk in being dishonest with and using Finn. At the same time, however, I think that a teenage father should step up and do what he can to help the mother. As if things aren't hard enough for her. Rachel has an idea for Finn: she goes to a store and tells the manager he needs to hire Finn because he's disabled and not hiring him could look like discrimination.
And then there's the issue of the song to sing. They're going to do "Defying Gravity" from Wicked, one of Kurt's absolute favourites. Initially, Will won't let Kurt try out for the solo, but after Kurt complains to his father, and the father gets the principle involved, they arrange to have an audition between him and Rachel. Kurt's father receives an anonymous phone call that says, "Your son's a fag," before hanging up. This clearly bothers him, so Kurt misses the high note in the diva-off so that his father doesn't have to go through more of that than necessary.
Sue has to hold try-outs for someone to replace Quinn on the Cheerios. She picks a girl named Becky who is mentally disabled [sorry, I really don't know with what or how to call it], and Will is freaking out, trying to discover her angle. At the end of the episode, we see that Sue's big sister is like Becky. I guess, if there's anything Sue has a heart for, it's disability.
Arty and Trina go on a date in wheelchairs, and it seems like it's going very well. Trina gets up and kisses him and then admits that she's been faking her stutter since middle school. This really offends him, something, it seems, she did not take into account.
Things I liked: I like that there are multiple male cheerleaders, and they're not portrayed as anything but male cheerleaders, none of the silly things that come along with the label. Kids are busier than when Shu was in school. They've got "homework, football, teen pregnancy, lunch?" Kurt's father to Kurt: "It's not about a guy, 'cuz I'm not ready to have that conversation." Arty tells Tina the story of how he was in a car accident. "I still retain the use of my penis." Oops.
House - Season 6, Episode 6: "Known Unknowns". Original Air Date: 9 November, 2009.
OH MY GOSH OH MY GOSH OH MY GOSH HOUSE IS BACK FROM THE WORLD SERIES BREAK. Thank goodness I have nicer things to say about this one than about Fringe.
A girl comes into the hospital after a night out partying. She's told her friends that she went to the band's hotel room and went skinny dipping with one of the musicians, but actually, she and her stalked their favourite sci-fi author all evening. When she decides to come clean about her actions that evening to the doctors, she can't; something in her brain [which is also making it bleed] is making her lie! Cameron and Chase try to talk to the author to see if he can give them any tips, and Cameron gets really upset with him because she's still upset with Chase and she's taking it out on the writer. And where is House during all of this? He and Wilson and Cuddy and her baby all go to a doctors' convention. Wilson is going to present a paper on euthenasia, but House doesn't want him to risk his license, so he drugs Wilson and steals his pants, and presents the paper himself under the nom de plume 'Perlmutter'. You can be sure that there were lots of lulz. House is also trying to impress Cuddy. She told him that she tracked him down in med school, and he confessed that he's basically been in love with her since he first set eyes on her, and then she leaves. And then we find out that apparently she's with that private eye from way back when. Remember him? Yeah, I didn't either, until a friend had to remind me. Oh well. Oh yeah, and the girl's okay in the end, and she did not get raped by the sci-fi writer.
In the very, very end, Chase finally comes clean with Cameron and tells her about his murder. Intenseeeee.
I think this was a very great episode. The mystery surrounding what the patient did that night was very intriguing, but even more important was the House-Wilson-Cuddy arch. Everything was there: lots of hilarity, new and old House, tearful moments, painful moments, and touching moments. It was so exciting! And the end was so intense, touching, and open-ended. Oh my gosh.
Castle - Season 2, Episode 8: "Kill the Messenger". Original Air Date: 9 November, 2009.
The episode begins with a bike courier; a masked man crashes a car into him and steals the package the man was set to deliver. The team tries to figure out what was in that package, so they track down the sender, an old woman, hooked up to oxygen in her own home. She says that she had no idea what was in the package she'd sent that morning, and that it was from her nephew, Brady. He had sent it to her years ago, and told her to keep it safe and to never look at it when he went to prison, and now, he wanted her to send it to whom it was addressed. That person? The captain. But when they want to talk to Brady, they find out that he's been murdered that morning in prison. Talking to others involved with Brady's case, in which he pleaded guilty to murder, they learn that he may not have been the murderer. A lot of digging around in Brady's victim's case brings them to one of the wealthiest families in the city: the Wellesleys. In the end, they discover that the Wellesleys' attendant / butler / everything man, Frank Davis, was not only responsible for the biker's death, but also Brady's [I think?] and the young woman from all those years ago. In the previous episode, Castle said, "I'm going to go with the butler," and tells Beckett it's who the mystery writers always go with when they're out of ideas. It's a cute bit of foreshadowing into the end of this episode. The minor plot in this episode is very minor; Grams gets a 'MyFace' as she calls it, and she has to deal with multitudes of friend requests. And then she has a date!
Like last week's Fringe, I like that we got to learn about a higher-up that we don't normally get much character development. Unfortunately, I thought it was too similar to Fringe's story, with the captain having to close up an old case and all that. I do not like weird TV coincidences like those.
The plot was quite gripping, however, I did not love this episode. Maybe I just wasn't into it, who knows, and I can't really say why, but I just didn't feel myself being drawn in the same way as I normally do.
Fringe - Season 2, Episode 6: "Earthling". Original Air Date: 5 November, 2009.
OH MY GOSH OH MY GOSH OH MY GOSH FRINGE IS BACK FROM THE WORLD SERIES BREAK! Wait, hold that excitement... This episode of Fringe was another one that has very little to do with 'the pattern'. In fact, it seemed to be just an episode, and I wasn't in love with it. Maybe because my roommate had company, and they were loud, and I didn't get the same effect, but I can't be sure. The idea was they found this 'shadow man' who stole radiation from people's bodies, unfortunately, leaving them as dust. Very dead dust. "Except for the penthouse guy; he died of bad luck." This case had been Broyles's four years before, and he thought he'd fixed it, and now it's back to haunt him. We learn a lot about the guy because of this: some of his backstory [he had a wife and kids, for instance] and some of his character development. Always a good thing. So Walter tries to figure out what's going on as the killings become more frequent. There were Russian cosmonauts, outerspace organisms, and just general fun Fringe stuff.
I'm sorry this one's something of a crummy 'review', but the episode wasn't wonderful and didn't give me much to talk about, I think. There was very little Walter, Peter, or Olivia. The most character development was with Broyles, which is definitely not a bad thing, but I would have liked to see the episode a little more far-reaching.
TV right now is killing me. I hate baseball and Teen Jeopardy.
Stupid baseball. Fox is 'hosting' the World Series. Baseball is what made me watch House forty-five minutes late. Now it's the reason that Fringe, House, and Glee are all post-poned until the series is over. UGH. I'm sorry, sports fans. I really am. But isn't this what we have ESPN for?
Stupid Teen Jeopardy! Oh my gosh. I get really frustrated watching them. I don't think I'm really smart enough to be on the show, but I'd like to be, and I'm the same age as the kids on the teen tournament, but I'm answering the regular questions. I wish I had watched way back when Meryl was on it. I don't even remember why I didn't. But these kids... they played a clip of a bassoon, which has a very specific timbre, and the only person to ring it said 'violin'. No one else knew. There are always plenty of stupid little things like that. As an adult, I'll probably forgive them, like how I can forgive the little middle schoolers for not answering certain very simple questions. But I am the same age as these people, so I get very upset. And the simpleness of the questions is almost insulting! If I were on that show, especially tonight's episode, I would have been genuinely insulted if the questions were as easy as they were. And tonight's final! "There's a statue of him at the Baker street subway station." Girl answered Shakespeare. SERIOUSLY?
So I'm very excited for the next few weeks of television. Teen Jeopardy will be over after another week, and my regular daily trivia show can resume; the World Series will finally end, and we can go back to what's really important, House, Fringe, and Glee!
Castle - Season 2, Episode 7: "Famous Last Words". Original Air Date: 2 November, 2009.
This was a wonderful episode! It begins with Alexis, almost in tears [or very recently in tears, I guess], and she asks her father if it's true that Hayley Blue, the lead singer of her favourite band, is dead. It is. The crime scene is staged to look like a recent music video of hers, and the team follows a lead to her... most enthusiastic fan. A.K.A. stalker. He leads them to the band's guitarist, who leads them to the producers who had taken her in and paid for her rehab. Apparently she was like a daughter to them. In the end, they arrest the wife, but she is adament that it was not her. Of course, they don't believe her, but one look at the husband... Well, Castle hears her final song again, and he realises they've got the wrong guy: it was the husband. He had forced himself on her and later killed her. The episode ends with Beckett, Castle, Alexis, and Castle's mom [I really need to start remembering her name] at a Hayley Blue memorial concert, and, aw how cute, they look like a family. Or something.
I loved this episode. We see more of the relationship between Castle and Alexis, but through Beckett. She says it best when she says that she's so used to seeing Castle act like a twelve year old that it's weird [strange? refreshing?] to see him play the part of the father. And at the end, when Castle is confronting the man who raped the rock star, he's really into it, on the verge of tears, it would seem. The whole episode was really intense, with the same formula of leads and disappointments. Not much changes in the Beckett/Castle dynamic, though.
I also realised, just before watching this, that my Monday nights are all about architecture: first I watch House, then I watch Castle.
Castle - Season 2, Episode 6: "Vampire Weekend". Original Air Date: 26 October, 2009.
America's current vampire obsession has invaded... my half of the world...
It's Halloween, and Castle is preparing for a big party. He keeps mentioning it to Beckett, reminding her that costumes are mandatory, and hinting that he'd love to see her in something sexy. But even more important is the case: a vampire was murdered by a stake through the heart, in a cemetary. Yeah. Apparently this boy, Crow, belonged to a small geek community of vampires [I say geek meaning a person who is fascinated by one specific thing or culture and strives to live as close to the object of his emulation as possible, no negative connotations intended]. He was a young artist, who, together with his friend Damon, also found murdered, was creating a graphic novel about a real life NYC vampire named Morlock. The team finds Morloch and takes him into custody. He's a case, because he has a condition, I forget what it's called but its nick-name is the Vampires' Disease, and he is very sensitive to sunlight, to the point where his skin burns and blisters up with contact. With that condition come hallucinations and other craziness, so it's no wonder he actually believes he's a vampire. In the end, it was his insane babble and crazy talk that solved the case. Crow's step-mother had killed his mother so she could marry the father, and now, many years later, Crow figures this out and so she kills him too, trying to frame his group of vampire friends because of his father's disdain for them, in an effort to keep her husband close to her. In the meantime, Alexis is going to her first 'real' high school party with her friend and co-parent [for a health class baby egg project], and her dad knows she won't get into any trouble, but he tells her to call him if she feels uncomfortable or compromised in any way because he will come get her, no questions asked, no punishment. She thinks she won't have to, but she does because the punch was spiked and her friend was really wasted. Castle picks them up and does the right thing in calling the girl's parents, despite Alexis's protests that she would get in a lot of trouble. In the end, the friend was so mad that she broke the egg baby.
The episode was good, and very Halloweeny. Castle began the episode by saying how much he loved Halloween, but Beckett says it's the worst as far as weird crimes. I think the show did a decent job, too, and not making fun of the geeks. Of course, individual characters mocked the vampire Covent a little, but the way they were portrayed in the show was as a little weird, definitely different from the 'norm', but not dangerous or bad or stupid. And, I know I say this a lot, but I really love the relationship between Alexis and her father. There are so few 'like me' teenagers on television, whether it be adult programming on basic channels, like this, or on pre-teen shows on Disney. This girl is well-adjusted, has a few issues, but nothing she can't handle, and she's not angsty or slutty or deceitful like so many TV teens are. In this episode, she had to learn a bit of a lesson between choosing the right thing and the easy thing, but she followed her father's orders, and doing differently in that situation could have ended really badly.
I absolutely loved Brave New World by Aldous Huxley, and I'm SO glad I read it. This book was not in the AP English curriculum, but my other friends read it, and when I helped them do a video project about it, I was intrigued. I'm so glad I got the chance to enjoy the book, even though it took me a while to read [I'm slow, I had school, I just don't like reading the last chapters because then the book is over, etc.].
The first part of the book is all exposition, and that's good. It really paints a picture of this Utopian futuristic society in which the action will take place. And it was very well written, with quick, sometimes disorienting scene changes, and sometimes vague dialogue, all of which seemed to further illustrate the collectively low attention span of the population. This is also when we're introduced to a myriad of characters; at first we are uncertain as to which characters the story will start to focus around, but after a while, Lenina and Bernard emerge as fully developed, complex characters. Allusions to Shakespeare in this section are almost meaningless because the characters do not know about him.
Which brings us into part two, where the action starts. Bernard feels a little differently about society than everyone else; we can relate to him the most because he, miraculously, holds onto some of our ideas of happiness and success, and we empathise with him because no one in the book can. He takes the seemingly simple-minded Lenina to a Native American reservation in the USA, and everything changes. The contrast between the reservation and the UK is so drastic, and we look at it with wide-eyed curiosity and wonder because it is nothing like anything we've been reading about up to this point, but it's also very different from the world we live in today [or is it?]. In this chaos, we meet John, the "Savage", but not an Indian and unable to fit in in either world. Bernard decides to bring him and his British mother back to England, as if he is a saviour or benefactor.
The last section of this book is ultimately depressing. All the fine thinking that Bernard had been doing, all the epiphanies he might have come to are destroyed, replaced, instead, by thoughts of self-importance and worth. The fame he achieves from bringing John to England has gone right to his head, and consequently, to his penis. John, too, is facing changes. He has a very hard time adjusting to this new way of life, he can't agree with the methods of the Brits because they are so contrary to everything he's learned on the reservation, and he feels himself falling in love with Lenina, but he can't do anything about it because the only way, according to his own beliefs, to have a woman, is to have only that woman, through marriage, for the rest of their lives. In the end, this is what kills him. It drives him to a life in the 'wilderness' in England, but when even that becomes nothing more than a spectacle for the curious Brits, he kills himself. The change was too great, the society was too devolved that it ultimately killed him.
The allusions to Shakespeare throughout the book were an important and helpful tool in the telling of the story. Shakespeare was the only ally John ever really had, and he could quote the plays almost entirely, even before he knew what they meant. The book is especially full of allusions to The Tempest [fitting, because I started it shortly after I had seen the play over the summer, and my school just put it on this past weekend], a mystical story about savages and Europeans, love, and freedom. Of course, from the colonialist point of view that the director took with the college's production, we see the same sort of interaction when the 'civilised' Lenina and Bernard step into the dirty reservation, and when they take John and his mother back, as if they were their saving grace. The title itself, Brave New World, is an allusion to The Tempest. Miranda speaks it when she sees humans other than her father and herself for the first time. It carries many meanings in the context of this novel, the most obvious of which is John's transportation to England from the reservation in America. But it also serves as a nod to the social context of the story: the England portrayed in this novel is drastically different from that of 2009 or of the 1930s, and is, therefore, a brave new world. But, as Miranda was, herself, human, and so the apparitions before her were not truly 'new', the chilling part of a dystopian novel such as this is that this could be us, and is it really all that new to us? Is it really so different from what we have now?
Just some little things~ 1: Every once in a while, a section or statement would ring so true and so possible that I would go back to the title page and check the publication date. This book could easily have been written last year, and it is as true now as it was in the 30s. 2: Even though it was written in the 30s, I still imagined 1970s-style clothing, especially whenever Huxley described Lenina's fashion.
I have something of an apology to make. I've been calling this a 'review-style blog' but I don't do much reviewing. It's all synopsis and plot summary and a little bit of personal opinion splashed in at the end. Obviously, plot summary is easy, and actual thinking is... a little less easy. I will still summarise plots to put my comments into context, but I'm going to try to bring more review and less retelling into future posts.
My name is Kathleen. I'm on winter holiday after my third semestre at college. Sometimes, I wonder why I'm not British. I'm currently attempting to work my way through geekdom.
Currently reading: Nothing at the moment, hoping to start something soon Currently listening to: The Rocky Horror Picture Show and The Adventures of Priscilla, Queen of the Desert soundtracks
